Binding: Audio CD
EAN: 0089408071522
Label: Telarc
Manufacturer: Telarc
Number Of Discs: 1
Publisher: Telarc
Release Date: August 26, 2008
Studio: Telarc
Sales Rank: 3760
MPN: 80715

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Disc 1:

1. Johann Sebastian Bach (1685-1750)French Suite No. 5 in G major, BWV 816
2. Johann Sebastian Bach (1685-1750)French Suite No. 5 in G major, BWV 816
3. Johann Sebastian Bach (1685-1750)French Suite No. 5 in G major, BWV 816
4. Johann Sebastian Bach (1685-1750)French Suite No. 5 in G major, BWV 816
5. Johann Sebastian Bach (1685-1750)French Suite No. 5 in G major, BWV 816
6. Johann Sebastian Bach (1685-1750)French Suite No. 5 in G major, BWV 816
7. Johann Sebastian Bach (1685-1750)French Suite No. 5 in G major, BWV 816
8. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
9. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
10. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
11. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
12. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
13. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
14. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
15. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
16. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
17. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
18. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
19. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
20. Philip Lasser (b. 1963)Twelve Variations on a Chorale by J.S. Bach
21. Ludwig van Beethoven (1770-1827)Piano Sonata No. 32 in C minor, Op. 111
22. Ludwig van Beethoven (1770-1827)Piano Sonata No. 32 in C minor, Op. 111
23. J.S. BachGoldberg Variations, BWV 988: Variation 13

Related Items:

• Bach: Goldberg Variations
• Cello & Piano Sonatas Volume 1
• Vivaldi: The Four Seasons
• Songs of Joy & Peace
• Harps & Angels
• see more

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Editorial Review:

Album Description:
Dinnerstein chose this program because of how the pieces speak to each another, and because of their relationship to the music of Bach. "My hope with this concert was to program a group of pieces that would contrast with and relate to each other, despite being separated by hundreds of years," she explains. "So much music written since Bach has been influenced by him, and the Beethoven and the Lasser recorded here are no exceptions. Philip Lasser's variations on the very dark Bach chorale, Nimm von uns, Herr, du treuer Gott (Take from us, Lord, Thou faithful God), draw on Bach's intense and meditative side. Lasser's writing is intricately crafted and encompasses a range of styles, from a contrapuntal energy reminiscent of Bach, to French Impressionism and even jazz. Beethoven's Opus 111 sounds surprisingly contemporary in this company. The first movement looks ahead to Liszt and the second movement, with its set of variations on a chorale-like arietta, looks back to Bach and ahead to jazz. All three works are densely layered, but also have a sense of freedom and directness of expression. Though they span almost 300 years, in many ways, to me, they each feel grounded in the present."

Of Dinnerstein's performance of Beethoven's Op. 111 during the March 2007 Bach Festival of Philadelphia, The Philadelphia Inquirer raved: "Emotionally, intellectually and technically, this music couldn't be more demanding, and Dinnerstein's performance was in a league with any of the great Beethoven pianists of our time . . . I've heard Dinnerstein play fine performances, but none with the thunderbolt-hurling confidence of this one."




Rating: - Bach's music is not Chopin's!
On the merit of the J.S. Bach French Suite BWV 816, it is a pity Ms. Dinnerstein seems unaware that there are some rules to this music and she should be well inspired to read Evgueny Teregulov's essay or/and she should simply enrol herself at the Gnessins Academy in Moscow where the legacy of prof. Alexandrov is alive and well. Her playing would benefit from this knowledge, sadly so slow to reach western students.

There, she would learn about rules of articulation in Bach's clavier music. ... Read More

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Rating: - Quite Lovely
This is a beautiful recording, Simone Dinnerstein's renderings of the Bach French Suite and the Opus 111 of Beethoven are altogether perfect, with fine musical judgment and finesse. To point out just one track, the Gavotte of the French Suite was delightfully cheery, remaining adult while fleetly avoiding the trap of "cuteness". My only doubt in pre-ordering this CD was whether the contemporary Variations by Philip Lasser would stand up in such august company. I'm glad to report that the Lasser made me ... Read More

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Rating: - Simone Dinnerstein's Berlin Philharmonie Recital: A Triumph of Splendid Musicianship
Barely more than six months after Simone Dinnerstein's triumphant debut at the Berlin Philharmonie - the modern concert hall which is the official residence of the Berliner Philharmoniker - Telarc has issued her sophomore recording, "The Berlin Concert", and one which is bound to please her ever growing legion of fans (of which I am now one). In a performance that is approximately an hour and fifteen minutes in length, Dinnerstein offers some fascinating insights into works composed across the span of three ... Read More

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